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总的来说这台叫做RX－105－克斯的MS阳刚中带有柔和的美感没有庸俗的菱角和厚实的钢甲给人一种轻灵的感觉恩这里驾驶洛姆斯就你最好这台机体和洛姆...没想到刚才只是冥想了一会儿居然就过了两个小时了我无奈的笑了笑打开格斗皮甲用力一跃跳上一个模拟器上最后飞檐走壁着扒上了钢梁从窗户跳了出去落地之后一个简单的...
那倒是一种让人哭笑不得的过程——两个男生在我面前用尽各种方法开导我月流焱拿着一管镇静剂在我旁边虎视眈眈的看着我全副武装的样子现在想起来还让我发笑不过...
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福 禄 夀
As much a film about accepting grief as accepting death—of being perpetually, profoundly melancholic in a beautiful world. Koreeda's long shots not only provide an aesthetic answer to the film's philosophical premise but also establish a respectful distance from Esumi's protagonist: it's formalist cinema of a humble and deeply compassionate nature.
